Ironically, the setting of Walter Mosley’s tragedy, “Lift,” is within the confines of an elevator. The two main characters, young Black professionals, discuss broader issues of race, class and relationships. Under the skilled direction of Marshall Jones III, Maameya Boafo and Biko Eisen-Martin breathe an attractive chemistry and depth into their roles as strangers trapped indefinitely in an elevator in their corporate office building. Read the rest of this entry »