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There is no “white” race

CBS News asked noted figures in the arts, business and politics about their experience in today’s civil rights movement, or about figures who inspired them in their activism.

Walter Mosley, author (the Easy Rawlins mysteries); winner, PEN America’s Lifetime Achievement Award

Walter Mosley /  Marcia Wilson

Walter Mosley / Marcia Wilson

What needs to happen in the next 50 years for equality to be fully realized in the U.S.?

Equality (which defines freedom in any society) is a complex issue that cannot be achieved by any one action. People who suffer inequality are in many categories, because of their sexual preference, age, nationality, religion, race, gender, politics, wealth (or lack thereof), infirmity, and/or simply for being different.

 
 

This being said, I will try to propose a suggestion for one solution that will definitely impact racial inequality and might possibly have ameliorating influence on the other prejudices.

The white race is a fiction created by aggressive colonization and slavery. In the colonies destined to become the United States, the European colonists found themselves pitted against the indigenous (red) people while enslaving Africans (blacks). In between these two colors, the white race was born, creating an antithetical identity that distinguished the supposed rightful owners from the slaves and (so-called) primitives. White was not a racial identifier in ancient Europe. In Britain alone, there was a plethora of races: Celts, Anglo-Saxons, Norse, Scots, Druids, and subgroups such as the Picts. There were as many races as there were languages in old Europe, but when colonization began, they founded an illusory identity where Christian men of European descent were called white regardless of their coloring, features or culture. Florid-faced, pale-skinned, olive-hued, and pink people of every size and build were called white people, and they still cling to that identity today.

If the members of the so-called white race dropped that fallacious appellation, racism in America (the United States) would be over. There is no race, just a whole bunch of people who look more or less alike.

So the next time someone asks you if you believe that we live in a post-racial world, say to them, “That depends, do you believe that you are white?”

Read the article on CBSNews.com.

LIFT Replaces GHOST STORIES in 59E59 Theaters’ 5A Season

59E59

59E59 Theaters announces that the Crossroads Theater Company production of acclaimed novelist Walter Mosley’s LIFT will replace GHOST STORIES as part of 59E59′s inaugural 5A Season for an October premiere.

“GHOST STORIES needed a very specific stage configuration to pull off the special effects, and unfortunately they just could not make it work in Theater A,” explained 59E59 Theaters’ Founder and Artistic Director Elysabeth Kleinhans. “However, this gives us the opportunity to present a spectacular new play by a leading American novelist. It’s a very exciting production, and we are honored to bring it to New York.” Read the rest of this entry »

Debbie Doesn’t Do It Anymore

Debbie Doesnt Do It AnymoreIn this scorching, mournful, often explicit, and never less than moving literary novel by the famed creator of the Easy Rawlins series, Debbie Dare, a black porn queen, has to come to terms with her sordid life in the adult entertainment industry after her tomcatting husband dies in a hot tub. Electrocuted. With another woman in there with him. Debbie decides she just isn’t going to “do it anymore.” But executing her exit strategy from the porn world is a wrenching and far from simple process.

Millions of men (and no doubt many women) have watched famed black porn queen Debbie Dare—she of the blond wig and blue contacts-”do it” on television and computer screens every which way with every combination of partners the mind of man can imagine. But one day an unexpected and thunderous on-set orgasm catches Debbie unawares, and when she returns to the mansion she shares with her husband, insatiable former porn star and “film producer” Theon Pinkney, she discovers that he’s died in a case of hot tub electrocution, “auditioning” an aspiring “starlet.” Burdened with massive debts that her husband incurred, and which various L.A. heavies want to collect on, Debbie must reckon with a life spent in the peculiar subculture of the pornography industry and her estrangement from her family and the child she had to give up. She’s done with porn, but her options for what might come next include the possibility of suicide. Debbie . . . is a portrait of a ransacked but resilient soul in search of salvation and a cure for grief.

OxCrimes: 27 Killer Stories

OxCrimes

Following the success of OxTales and OxTravels, this collection of crime writing is the latest Oxfam fundraiser, introduced by Britain’s greatest crime writer, Ian Rankin, and featuring a compelling cast of suspects.

For 2014, Oxfam and Profile have turned to crime in order to raise a further £200,000 for Oxfam’s work.

OxCrimes is introduced by Ian Rankin and has been curated by Peter Florence, director of Hay Festival, where it will be launched in May. The stellar cast of contributors will include Walter Mosley, Mark Billingham, Alexander McCall Smith, Anthony Horowitz, Val McDermid, Peter James, Adrian McKinty, Denise Mina, Louise Welsh and a host of other compelling suspects.

Pre-Order OxCrimes:

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Don’t Press the Up Button

by Michael Sommers, The New York Times

With best-selling mysteries like “Devil in a Blue Dress” among his more than three dozen books, Walter Mosley is a master of crime fiction who knows how to put his characters into tight, scary situations. In “Lift,” his new drama of suspense that begins performances on April 10 atCrossroads Theater Company in New Brunswick, the writer traps two strangers within an urban nightmare: Inside a damaged elevator that is stuck high up in a burning skyscraper.

Disturbing undertones of Sept. 11 aside, Mr. Mosley said his dramatic fiction was mostly about revealing the inner lives of the characters who are grappling with such terrors. “They are those average-looking people you see beside you every day who have interesting back stories that you wouldn’t ever suspect,” he said in a telephone interview from his home in Brooklyn. Read the rest of this entry »

Walter Mosley’s LIFT to Run 4/10-24 at Crossroads Theatre

Walter Mosley
Photo by Marcia E. Wilson/WideVision Photography

Two strangers trapped in an elevator have a fateful encounter in Lift, a suspenseful new drama by award-winning writerWalter Mosley, premiering at Crossroads Theatre Company, 7 Livingston Ave., April 10-24.

Performances are 8 p.m., Thursdays through Saturdays; 3 p.m., Saturdays and Sundays; with additional performances at 10 a.m., Wednesday, April 16, and 7 p.m., Tuesday, April 22. Tickets are $10 to $65. Opening night is Saturday, April 12. Read the rest of this entry »

Odyssey (Vintage Original) for Kindle

Odyssey jacketVisit Amazon.com to pick-up your copy of Odyssey (Vintage Original) Kindle Edition for $1.99!
 

 

 

 

 

 

Laurence Fishburne To Produce & Star In HBO Drama Based On Walter Mosley’s Socrates Fortlow Novels

Laurence Fishburne To Produce & Star In HBO Drama Based On Walter Mosley’s Socrates Fortlow Novels

Fifteen years after Laurence Fishburne starred as Walter Mosley‘s Socrates Fortlow in the HBO movie Always Outnumbered written by Mosley and directed by Michael Apted, the actor-producer is revisiting the character for HBO, this time on the series side. The pay cable network is developing The Right Mistake, a drama series from Fishburne’s Cinema Gypsy Prods and Fox Television Studios. It is based on the series of novels by Mosley featuring Fortlow: an ex-convict who seeks redemption — while battling inner demons and external forces — after serving 27 years in prison. The books include Always Outnumbered, Always Outgunned, Walkin’ The Dog and The Right Mistake. Mosley and Patrick Charles are co-writing the series adaptation, with Fishburne attached to star. He is executive producing with Cinema Gypsy’s Helen Sugland and Tom Russo as well as Mosley and his partner, Diane Houslin. Charles is co-executive producing. The Right Mistake stems from the Cinema Gypsy’s first-look cable deal with FtvS. On the broadcast side, Cinema Gypsy has Black-ish, a single-camera comedy starring Anthony Anderson and written by Kenya Barris in development at ABC. The Matrix and CSI alum Fishburne, repped by Paradigm, Landmark Artist Management and Del, Shaw, also has a major recurring role on NBC’s Hannibal.

(via deadline.com)

July 19, 2013 – Amazon Kindle Daily Deal

Futureland - Kindle Edition

For today only – July 19 – Amazon Kindle Daily Deal is
Futureland
by Walter Mosley


 

 

 

 

Living in the Land of the Free Doesn’t Make You Free

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When he was a teenage author, Walter Mosley learned that African-American men like himself faced different laws and rights than his peers. In the wake of the verdict in the Trayvon Martin case, he says nothing has changed—and asks what we’re going to do about it.

I remember when I was 17 years old, in 1969; three of my friends dropped by in one of their cars and asked me if I wanted to go out with them to the beach or the woods, I forget which. I told my father that I was going and he came out to see my friends. He knew them all and liked them. I went to high school with two of them.

“I’ll see you later,” I said to my dad.

“OK, Walter, but let me tell you something first. If the police stop you guys, your friends will be going home and you will go to jail.”

These particular friends were young, long-haired white kids.

My father was telling me, teaching me that my rights and those of my friends were not the same in mid-century America. People were watching me, suspecting me, fearing and hating me. Not all people. Not all white people. But there was an active shooting range on the streets of every big city in the country, and there was an indelible target on every black man’s chest and head.

Living in the land of the free doesn’t make you free—that’s what my father taught me.

Read the rest of the article on The Daily Beast

 


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