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Walter Mosley’s ‘Killing Johnny Fry’ Movie in the Works

Killing Johnny Fry

Walter Mosley (“Devil in a Blue Dress”) and producer Denise Grayson have hired writer-director Paul Chart to adapt Mosley’s thriller “Killing Johnny Fry” for a feature film.

Mosley will produce through his company BOB Filmhouse together with Denise Grayson Productions.

Mosley’s novel, published in 2006, centers on nice guy Cordell Carmel, who’s shocked to discover his long-time girlfriend is secretly enjoying a darkly sexual double life with the handsome but menacing Johnny Fry. Cordell soon finds himself seduced into a twisted world of sex, drugs and murder.

“Having Paul Chart as a writer makes the translation of ideas into script easy, true to the purpose, and all kinds of fun,” Mosley said.

Chart is currently writing the sci-fi TV series “The Fourth Kingdom” for “Game of Thrones” executive producer Vince Gerardis. He recently founded independent production company Lionhart Films with partners Daniel Frey and Steve Valentine.

Mosley is best known for the mysteries featuring the hard-boiled detective Easy Rawlins, a black private investigator and World War II veteran living in Los Angeles, including “Devil in the Blue Dress.” Denzel Washington starred in the 1995 movie.

Three other Mosley properties have been adapted for TV — Showtime aired a series in 1993 based on Mosley’s “Fallen Angels”; Laurence Fishburne starred in HBO’s TV movie “Always Outnumbered, Always Outgunned” in 1998; and ABC’s “Masters of Science Fiction” aired the “Little Brother” episode in 2007.

Chart directed and wrote “American Perfekt,” which starred Fairuza Balk and Robert Forster and screened at Un Certain Regard at Cannes in 1997.

Chart is represented by Advanced Management. Mosley is repped by CAA and Gloria Loomis at Watkins/Loomis Agency.

(via variety.com)

Live from The Edgars, Crime Writing’s Big Night

Paul Coates and Walter Mosley

Lisa Levy Reports on Walter Mosley, Kareem Abdul-Jabbar, and Speed-Eating While Live-Tweeting

It is a given that everyone loves an award banquet, so much so that if they cannot be there they will watch it on television. Television might be the better option for such viewing. When you are actually at an award show, you are probably wearing uncomfortable clothes; there are inevitably 20 people in front of each bar for the whole hour of the opening reception (cash bar when dinner starts, babe, though people can buy wine for their tables); you run into plenty of people you don’t mind seeing but you can’t find the ones you’d actually like to see. And if you are me last Thursday night at the Edgars, which are the premiere awards for crime writing in the US, you are scrambling through the reception fumbling a phone, an evening bag, a pen and a program while trying to shake hands with all of the people you are introduced to by friends. Oh, and you’re live tweeting and taking photos too. No biggie.

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