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Mosley’s ‘Lift’ expands beyond walls

Mosley’s ‘Lift’ expands beyond walls

Ironically, the setting of Walter Mosley’s tragedy, “Lift,” is within the confines of an elevator. The two main characters, young Black professionals, discuss broader issues of race, class and relationships. Under the skilled direction of Marshall Jones III, Maameya Boafo and Biko Eisen-Martin breathe an attractive chemistry and depth into their roles as strangers trapped indefinitely in an elevator in their corporate office building. Read the rest of this entry »

Don’t Press the Up Button

by Michael Sommers, The New York Times

With best-selling mysteries like “Devil in a Blue Dress” among his more than three dozen books, Walter Mosley is a master of crime fiction who knows how to put his characters into tight, scary situations. In “Lift,” his new drama of suspense that begins performances on April 10 atCrossroads Theater Company in New Brunswick, the writer traps two strangers within an urban nightmare: Inside a damaged elevator that is stuck high up in a burning skyscraper.

Disturbing undertones of Sept. 11 aside, Mr. Mosley said his dramatic fiction was mostly about revealing the inner lives of the characters who are grappling with such terrors. “They are those average-looking people you see beside you every day who have interesting back stories that you wouldn’t ever suspect,” he said in a telephone interview from his home in Brooklyn. Read the rest of this entry »

Walter Mosley’s LIFT to Run 4/10-24 at Crossroads Theatre

Walter Mosley
Photo by Marcia E. Wilson/WideVision Photography

Two strangers trapped in an elevator have a fateful encounter in Lift, a suspenseful new drama by award-winning writerWalter Mosley, premiering at Crossroads Theatre Company, 7 Livingston Ave., April 10-24.

Performances are 8 p.m., Thursdays through Saturdays; 3 p.m., Saturdays and Sundays; with additional performances at 10 a.m., Wednesday, April 16, and 7 p.m., Tuesday, April 22. Tickets are $10 to $65. Opening night is Saturday, April 12. Read the rest of this entry »